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Mackie 1642VLZ4 16-Channel 4-Bus Compact Mixer

Audio mixer

Mackie 1642-VLZ4 Overview

The Mackie 1642VLZ4 16-Channel 4-Bus Compact Mixer delivers the proven performance of Onyx preamps in a compact 4-bus mixer design, suitable for bands, clubs, and more. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like an expanded return section for no-hassle system integration and a dedicated control room section, the 1642VLZ4 16-Channel 4-Bus Compact Mixer is the go-to mixer choice for any application that demands flexibility and professional performance.

16-Channel mixer featuring high-headroom, low-noise design

10 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz)

Improved RF rejection, suitable for broadcast applications

Phantom power for condenser microphones

16 High-headroom line inputs with +4 / -10 operation control

3-Band EQ (80 Hz, 2.5 and 12 kHz)

18 dB/octave 75 Hz low-cut filter on microphone input channels

Four AUX sends, level, pan and PFL solo on each channel

Four stereo returns for connecting FX processor or other stereo source

60mm long-wearing log-taper faders

ALT 3/4 stereo bus for added routing flexibility

Control room / phones source matrix

High-resolution 12-segment stereo meters

Sealed rotary controls resist dust and grime

Built-like-a-tank rugged steel chassis with powder-coat finish

High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback

Rack-mountable design using optional rack ear kit (sold separately)

Multi-voltage power supply for worldwide use

Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video post-production, multimedia applications, broadcast, and many more

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Mixer

Number of Analog Input Channels	16
Number of Mic Preamps	10
Analog Output Channels	2 x Stereo Master Output 1 x Mono Master Output 1 x Stereo Control Room/Monitor Output 4 x Stereo Bus/Subgroup Output 4 x Mono Aux Send Output 8 x Mono Direct Output 1 x Stereo Tape/Record Output 2 x Stereo Headphone Output

Signalni qayta ishlash

EQ Parameters	Mono Channels: High: ±15 dB at 12 kHz (Shelving) Mid: ±15 dB at 100 Hz to 8 kHz (Semi-Parametric) Low: ±15 dB at 80 Hz (Shelving) Stereo Channels: High: ±15 dB at 12 kHz (Shelving) Hi-Mid: ±15 dB at 2.5 kHz (Notch/Peak) Lo-Mid: ±15 dB at 400 Hz (Notch/Peak) Low: ±15 dB at 80 Hz (Shelving)
Filters	Low-Pass: 75 Hz, 18 dB/Octave
Built-In Effects	None

Performance

Chastotaga javob	Mic Input to Main Output: 20 Hz to 50 kHz +0/-1 dB (Unity Gain) 10 Hz to 100 kHz +0/-3 dB (Unity Gain)
Max Input Level	Mic Input: +22 dBu Line Input: +22 dBu
Output Level	Main Output: +28 dBu at Max Gain All Other Output: +22 dBu at Max Gain
I/O Impedance	Mic Input: 2.5 Kilohms Insert Return: 2.5 Kilohms Line Input: ≥ 10 Kilohms Tape Output: 1.1 Kilohms Main Output: 120 Ohms
Crosstalk	Adjacent Channels, Muted: -82 dBu at 1 kHz (Min Gain, 20 Hz to 20 kHz)
CMRR	> -70 dB (1 kHz)
EIN	-128.5 dBu at Max Gain (150-Ohm Input)
Noise Floor	Main Output: -86.5 dBu (Master Level at Unity, Channel Levels at -∞, 92 dB SNR, Ref +4 dBu) -86 dBu (Master Level at Unity, Channel Levels at Unity)
THD	Mic Input to Insert Send: < 0.0007% at +35 dB Gain (1 kHz)